![]() ![]() The X32 is also connected over wifi, so I can roam the venue with the virtual soundcheck running and adjust the mix (to get it 98% of the way there). ![]() The X32 is a mixer AND 32 track recording box, all in one. With this installed I'm able to do a virtual sound check, adjust eq and levels and make sure everything sounds perfect right out of the box *without the band there*. This is a combination USB interface + SD card 32 track recorder. The behringer mixers are GREAT - and if equipped well, they can make a WORLD of difference if you're self mixing. The *trick* is in getting your levels right, so I spend special attention to my kemper levels. We've used it as a stagebox, monitor worlds and I've done many shows where I self mix. There is no magic bullet, but you can certainly sight the gun and range the target. Technology can get you almost all the way there, i f you plan ahead. If you can't make that happen, the only real solution is to find a way for someone to periodically get out in the room and adjust the sound accordingly. SOUND NORMALIZER ONLINE PROFESSIONALOf course, the best solution would be for everyone in the band to take a bit less money and hire a professional sound man. This would mean buying a mixer that supported these features, but to solve this problem you're going to have to spend money one way or the other. If you can't afford to hire a sound man, if you had a mobile app like this then maybe there's a song here and there where one of the band members could sit the number out, roam the room with the iPad, and adjust the sound according to the crowd. I'm pretty sure there are other brands that do this sort of thing as well. You could mix an entire show just sitting at the bar with one of these things. As an example, my Yamaha TF5 has an app called Stage Mix that brings up all mixer features on an iPad. It's common now for digital mixers to have companion iPad apps. While there's no technology (Kemper or otherwise) that will solve these problems, there are options that might help. Second, even if someone has time to tweak the sound, you're flying blind from the stage - you have to hear it from out in the room. First, someone has to be available to turn the knobs in the first place, which isn't always easy in the middle of a set. There are two problems to overcome when running sound from the stage. While the realities of low paying gigs is that people often can't afford to hire a sound man, doing a fire and forget soundcheck at the beginning of the night almost guarantees you're not going to be sounding great by the end of the night. Even if they added the features you want for your amp, your singers, the drummer and even the bass player would still be screwed. When more humans fill the room, it's not going to affect just the guitar. I certainly understand your frustration but the problem, as you've adequately described above, really isn't the Kemper. Sometimes I get the Feedback that my guitar sounded dull and thin, sometimes they Hype my Sound (mostly when I could have played louder). When later the crowd is in the Pub the dialed in Sound of the soundcheck mostly suffers. It's likely that I'll tweak the volume knob and hit save when I try it with the band and then it's done.įor me and my band a consecutive Problem occurs, since we don't have a technician for FoH-Mixing (we do this by ourselves during the soundcheck). If I find a profile that I want to use with my band, I'll compare it to that main rhythm tone and achieve the desired volume. Leads usually a little louder and cleans as required. I've got my main rhythm tone which is the bench mark for my volumes. It all adds up to unpredictable levels when trying new profiles but which is easy to fix already. I've found other profiles where the volume in the Amplifier section is on 3db. I've got a bunch of TAF profiles that have a post amp EQ block that does little but have an output boost. If all the profiles in existence came from Kemper, then you could argue that they should be comparable but when you're filling up the box with profiles from various profilers, it's not possible. Who would use clean, rhythm and lead tones for a whole set at the same volume? You'd end up switching it off for certain rigs and that's achieving something already possible. Regarding an output limiter/leveller, I think that this isn't as productive as you'd imagine. I'm happy to see that the forum has helped him in his search for success. I note that the OP has stated that he's managed to achieve what he wanted by levelling the volumes within the rigs. ![]()
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